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6,565 / 65,000
(10.1%) |
Whoo-hoo! I worked my way over the 10% mark. The virtual pile of paper is getting larger, and so far so good.
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A Question for the Sages:
If someone says they hate being tickled, why do they keep laughing? *
Seriously, isn’t laughter supposed to be a response to joy? Or does this indicate that laughter is something else? If anyone knows a good answer to this one, I’d love to hear it.
*I know, I know. My mind is a strange place.
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Oh and this quiz was fun (and fairly accurate):
“What if?” creativity: You’re creative, but not weird or creepy. Well, at least not usually. Odds are you have your moments of both, but on the whole you live a pretty normal life and see your forays into your imagination as either a hobby or a profession, but not a way of living.
What’s your creativity? Find out at GUD Magazine!
T.J. McIntyre: A Southern Fried Weirdo 
You know, I laugh too when I am really nervous. I can’t help myself as I am not always comfortable around strangers, so I either laugh or giggle. I think perhaps in that case it would be to expend energy (nervous energy). So, perhaps, when we are tickled and we laugh we are expending some excess energy …
And go you over your 10% mark. 🙂
That’s as good a theory as any I’ve heard so far.
You know, I laugh too when I am really nervous. I can’t help myself as I am not always comfortable around strangers, so I either laugh or giggle. I think perhaps in that case it would be to expend energy (nervous energy). So, perhaps, when we are tickled and we laugh we are expending some excess energy …
And go you over your 10% mark. 🙂
That’s as good a theory as any I’ve heard so far.
That’s as good a theory as any I’ve heard so far.
You know, I laugh too when I am really nervous. I can’t help myself as I am not always comfortable around strangers, so I either laugh or giggle. I think perhaps in that case it would be to expend energy (nervous energy). So, perhaps, when we are tickled and we laugh we are expending some excess energy …
And go you over your 10% mark. 🙂
You know, I laugh too when I am really nervous. I can’t help myself as I am not always comfortable around strangers, so I either laugh or giggle. I think perhaps in that case it would be to expend energy (nervous energy). So, perhaps, when we are tickled and we laugh we are expending some excess energy …
And go you over your 10% mark. 🙂
That’s as good a theory as any I’ve heard so far.
You know, I laugh too when I am really nervous. I can’t help myself as I am not always comfortable around strangers, so I either laugh or giggle. I think perhaps in that case it would be to expend energy (nervous energy). So, perhaps, when we are tickled and we laugh we are expending some excess energy …
And go you over your 10% mark. 🙂
You know, I laugh too when I am really nervous. I can’t help myself as I am not always comfortable around strangers, so I either laugh or giggle. I think perhaps in that case it would be to expend energy (nervous energy). So, perhaps, when we are tickled and we laugh we are expending some excess energy …
And go you over your 10% mark. 🙂
You know, I laugh too when I am really nervous. I can’t help myself as I am not always comfortable around strangers, so I either laugh or giggle. I think perhaps in that case it would be to expend energy (nervous energy). So, perhaps, when we are tickled and we laugh we are expending some excess energy …
And go you over your 10% mark. 🙂
That’s as good a theory as any I’ve heard so far.
You know, I laugh too when I am really nervous. I can’t help myself as I am not always comfortable around strangers, so I either laugh or giggle. I think perhaps in that case it would be to expend energy (nervous energy). So, perhaps, when we are tickled and we laugh we are expending some excess energy …
And go you over your 10% mark. 🙂
That’s as good a theory as any I’ve heard so far.
You know, I laugh too when I am really nervous. I can’t help myself as I am not always comfortable around strangers, so I either laugh or giggle. I think perhaps in that case it would be to expend energy (nervous energy). So, perhaps, when we are tickled and we laugh we are expending some excess energy …
And go you over your 10% mark. 🙂
That’s as good a theory as any I’ve heard so far.
And we got the same answer to the creativity quiz. 🙂
I have a feeling a large majority of writers would fall in the “what if” category. Especially those of us who enjoy writing in genres as our plotlines are typically based around “What if?” scenarios.
And we got the same answer to the creativity quiz. 🙂
I have a feeling a large majority of writers would fall in the “what if” category. Especially those of us who enjoy writing in genres as our plotlines are typically based around “What if?” scenarios.
I have a feeling a large majority of writers would fall in the “what if” category. Especially those of us who enjoy writing in genres as our plotlines are typically based around “What if?” scenarios.
And we got the same answer to the creativity quiz. 🙂
And we got the same answer to the creativity quiz. 🙂
I have a feeling a large majority of writers would fall in the “what if” category. Especially those of us who enjoy writing in genres as our plotlines are typically based around “What if?” scenarios.
And we got the same answer to the creativity quiz. 🙂
And we got the same answer to the creativity quiz. 🙂
And we got the same answer to the creativity quiz. 🙂
I have a feeling a large majority of writers would fall in the “what if” category. Especially those of us who enjoy writing in genres as our plotlines are typically based around “What if?” scenarios.
And we got the same answer to the creativity quiz. 🙂
I have a feeling a large majority of writers would fall in the “what if” category. Especially those of us who enjoy writing in genres as our plotlines are typically based around “What if?” scenarios.
And we got the same answer to the creativity quiz. 🙂
I have a feeling a large majority of writers would fall in the “what if” category. Especially those of us who enjoy writing in genres as our plotlines are typically based around “What if?” scenarios.
I think it was _The Naked Ape_ by Desmond Morris that described “zoological” origins for smiles and laughter. If a stranger makes faces at a child, she might cry out in fear. If a parent, someone she trusts, makes the same faces, she knows the “threat” isn’t real and she laughs. Relief.
I just watched the first episode of The Human Face last night, a BBC documentary hosted by John Cleese. It didn’t talk about origins but it said that the body can’t tell the difference between fake/forced laughter and the real thing; they both have health benefits.
Thanks, Robert. I saw most of that documentary a while back and thought it was pretty good. It was during a time I was really interested in communication theory and been studying Edward T. Hall’s “The Silent Language.” Interesting stuff.
I think it was _The Naked Ape_ by Desmond Morris that described “zoological” origins for smiles and laughter. If a stranger makes faces at a child, she might cry out in fear. If a parent, someone she trusts, makes the same faces, she knows the “threat” isn’t real and she laughs. Relief.
I just watched the first episode of The Human Face last night, a BBC documentary hosted by John Cleese. It didn’t talk about origins but it said that the body can’t tell the difference between fake/forced laughter and the real thing; they both have health benefits.
Thanks, Robert. I saw most of that documentary a while back and thought it was pretty good. It was during a time I was really interested in communication theory and been studying Edward T. Hall’s “The Silent Language.” Interesting stuff.
Thanks, Robert. I saw most of that documentary a while back and thought it was pretty good. It was during a time I was really interested in communication theory and been studying Edward T. Hall’s “The Silent Language.” Interesting stuff.
I think it was _The Naked Ape_ by Desmond Morris that described “zoological” origins for smiles and laughter. If a stranger makes faces at a child, she might cry out in fear. If a parent, someone she trusts, makes the same faces, she knows the “threat” isn’t real and she laughs. Relief.
I just watched the first episode of The Human Face last night, a BBC documentary hosted by John Cleese. It didn’t talk about origins but it said that the body can’t tell the difference between fake/forced laughter and the real thing; they both have health benefits.
I think it was _The Naked Ape_ by Desmond Morris that described “zoological” origins for smiles and laughter. If a stranger makes faces at a child, she might cry out in fear. If a parent, someone she trusts, makes the same faces, she knows the “threat” isn’t real and she laughs. Relief.
I just watched the first episode of The Human Face last night, a BBC documentary hosted by John Cleese. It didn’t talk about origins but it said that the body can’t tell the difference between fake/forced laughter and the real thing; they both have health benefits.
Thanks, Robert. I saw most of that documentary a while back and thought it was pretty good. It was during a time I was really interested in communication theory and been studying Edward T. Hall’s “The Silent Language.” Interesting stuff.
I think it was _The Naked Ape_ by Desmond Morris that described “zoological” origins for smiles and laughter. If a stranger makes faces at a child, she might cry out in fear. If a parent, someone she trusts, makes the same faces, she knows the “threat” isn’t real and she laughs. Relief.
I just watched the first episode of The Human Face last night, a BBC documentary hosted by John Cleese. It didn’t talk about origins but it said that the body can’t tell the difference between fake/forced laughter and the real thing; they both have health benefits.
I think it was _The Naked Ape_ by Desmond Morris that described “zoological” origins for smiles and laughter. If a stranger makes faces at a child, she might cry out in fear. If a parent, someone she trusts, makes the same faces, she knows the “threat” isn’t real and she laughs. Relief.
I just watched the first episode of The Human Face last night, a BBC documentary hosted by John Cleese. It didn’t talk about origins but it said that the body can’t tell the difference between fake/forced laughter and the real thing; they both have health benefits.
I think it was _The Naked Ape_ by Desmond Morris that described “zoological” origins for smiles and laughter. If a stranger makes faces at a child, she might cry out in fear. If a parent, someone she trusts, makes the same faces, she knows the “threat” isn’t real and she laughs. Relief.
I just watched the first episode of The Human Face last night, a BBC documentary hosted by John Cleese. It didn’t talk about origins but it said that the body can’t tell the difference between fake/forced laughter and the real thing; they both have health benefits.
Thanks, Robert. I saw most of that documentary a while back and thought it was pretty good. It was during a time I was really interested in communication theory and been studying Edward T. Hall’s “The Silent Language.” Interesting stuff.
I think it was _The Naked Ape_ by Desmond Morris that described “zoological” origins for smiles and laughter. If a stranger makes faces at a child, she might cry out in fear. If a parent, someone she trusts, makes the same faces, she knows the “threat” isn’t real and she laughs. Relief.
I just watched the first episode of The Human Face last night, a BBC documentary hosted by John Cleese. It didn’t talk about origins but it said that the body can’t tell the difference between fake/forced laughter and the real thing; they both have health benefits.
Thanks, Robert. I saw most of that documentary a while back and thought it was pretty good. It was during a time I was really interested in communication theory and been studying Edward T. Hall’s “The Silent Language.” Interesting stuff.
I think it was _The Naked Ape_ by Desmond Morris that described “zoological” origins for smiles and laughter. If a stranger makes faces at a child, she might cry out in fear. If a parent, someone she trusts, makes the same faces, she knows the “threat” isn’t real and she laughs. Relief.
I just watched the first episode of The Human Face last night, a BBC documentary hosted by John Cleese. It didn’t talk about origins but it said that the body can’t tell the difference between fake/forced laughter and the real thing; they both have health benefits.
Thanks, Robert. I saw most of that documentary a while back and thought it was pretty good. It was during a time I was really interested in communication theory and been studying Edward T. Hall’s “The Silent Language.” Interesting stuff.
Thanks, Robert. I saw most of that documentary a while back and thought it was pretty good. It was during a time I was really interested in communication theory and been studying Edward T. Hall’s “The Silent Language.” Interesting stuff.
Thanks, Robert. I saw most of that documentary a while back and thought it was pretty good. It was during a time I was really interested in communication theory and been studying Edward T. Hall’s “The Silent Language.” Interesting stuff.
That’s as good a theory as any I’ve heard so far.
That’s as good a theory as any I’ve heard so far.
I have a feeling a large majority of writers would fall in the “what if” category. Especially those of us who enjoy writing in genres as our plotlines are typically based around “What if?” scenarios.
I have a feeling a large majority of writers would fall in the “what if” category. Especially those of us who enjoy writing in genres as our plotlines are typically based around “What if?” scenarios.
Yay for the bigger virtual pile of paper. You really surprised me. I am so touched. Thank you. I am deeply grateful and honored.
You’re welcome.
Happy Birthday!
Yay for the bigger virtual pile of paper. You really surprised me. I am so touched. Thank you. I am deeply grateful and honored.
You’re welcome.
Happy Birthday!
You’re welcome.
Happy Birthday!
Yay for the bigger virtual pile of paper. You really surprised me. I am so touched. Thank you. I am deeply grateful and honored.
Yay for the bigger virtual pile of paper. You really surprised me. I am so touched. Thank you. I am deeply grateful and honored.
You’re welcome.
Happy Birthday!
Yay for the bigger virtual pile of paper. You really surprised me. I am so touched. Thank you. I am deeply grateful and honored.
Yay for the bigger virtual pile of paper. You really surprised me. I am so touched. Thank you. I am deeply grateful and honored.
Yay for the bigger virtual pile of paper. You really surprised me. I am so touched. Thank you. I am deeply grateful and honored.
You’re welcome.
Happy Birthday!
Yay for the bigger virtual pile of paper. You really surprised me. I am so touched. Thank you. I am deeply grateful and honored.
You’re welcome.
Happy Birthday!
Yay for the bigger virtual pile of paper. You really surprised me. I am so touched. Thank you. I am deeply grateful and honored.
You’re welcome.
Happy Birthday!
You’re welcome.
Happy Birthday!
You’re welcome.
Happy Birthday!